Friday 30 January 2015

Lion Rock - Sri Lanka 2010

On setting out from Kandelema just after sunrise, the vapour rising from the jungle paints the landscape in a series of misty layers, along the dirt track to join the jungle road, to find precisely that which is not visible from the observation decks of Kandelama A city, not a modern buzzing metropolis, but an ancient city, Sigiriya, situated in plane view of from the hotel, but invisible from the distance, despite it being situated on the top of a large rock, some one hundred and eighty metres high.

Turning off the jungle road into a clearing in the trees to a very ordered environment. A perfectly straight water channel, a moat some ten metres wide, and a wall that is inpenetrable, built of large stone blocks, set at a batter, sloping back from the moat. A giant standing Buddha Statue marks the end of an east-west vista framed by the trees, the vista then leads over the moat across a bridge and into the remains of a walled city. The same sloping walls, that frame steps that form a path up through green terraces has very much the feeling of a Mayan pyramid complex as seen in books and Television documentaries, as I have not yet been to South America. According to UNESCO the city is dated around the fifth Century AD, although the organization acknowledges that the site has not been sufficiently excavated. A bit of research places the city contemporary with the classic period of the Mayan civilization, interesting…


Much of the city has been reclaimed by nature, large trees stand in courtyards and cisterns, grasses grow on the top of the walls, and it takes a bit of imagination to visualize this as a bustling city, the buildings were most probably simple open structures timber posts set atop the stone walls, probably coconut, and pitched ‘cadjan’ roof construction, a thatched roof made from coconut leaves bound together, to throw off the monsoon rains.
Climbing through the terraces and courtyards, the city becomes more and more spectacular walls frame a walkway that hugs the profile of the rock, until arriving at a plaza known as the lion’s head, climbing is hot work, and the humidity means that everything is wet. The plaza of the Lion’s head faces true North, in fact that whole city is set on an orthogonal grid aligned to true North, the plaza is dominated by the huge sculpted lion’s paws that must be at least three metres high, the lion symbolic of the Sinhalese civilization, indigenous to Sri Lanka since fifth century BC, Sinha meaning lion, Sinhala translating to lion people, this is Architecture in the purest sense.
A flight of steps rises between the lion’s paws, to lead to a one sided steel walkway that is set into the face of the rock, depressions in the rock reveal just how treacherous the climb was before the addition of the walkway, and why it makes sense to build a fortress on top of the rock if you are trying to avoid being invaded. The climb up the face of the rock, switching back and forward along the steel walkways arrives at a pair of spiral stairs, one up and one down, the climb up the spiral arrives at a platform halfway up the rock, within an inaccessible rocky shelter in the vertical wall of the western face are rock paintings which have brought universal acclaim to the site of Sigiriya - 'The Maidens of the Clouds'. UNESCO. How these paintings were made in such an inaccessible location is something of a mystery. 
Making the reverse journey on the second spiral, and continuing the climb along the face of the rock to arrive at the rock fortress, which will probably be familiar to those who grew up in the 1980s watching music videos, as this is the location featured in Duran Duran’s ‘Save a Prayer’ video, the stone walls and terraces and pools set at the same orientation as the city on the ground, at the top, the stone bases of the great hall with the sockets to receive the timber structure, and the panorama...Amazing! Breathtaking! no amount of superlatives can describe this. It is unbroken jungle in every direction, the only mark of human hands being the axis that terminates with the giant Buddha standing in a clearing in the trees. 

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